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High-Resolution Astrophotography J. Dragesco (trans.
Dr R.J. McKim) |
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Cambridge University Press, 1995 – ISBN
0-521-41588-8 – pp.xiv + 158 – £24.95 (hardback) Reviewed by
R.W. Arbour : Journal of the British Astronomical
Association, 106 (1), 45 (1996) |
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It
is a popular misconception that film-based astrophotography is obsolete,
having been totally replaced by digital electronic technology. High
Resolution Astrophotography goes a long way to demonstrate that
photographic emulsions are still alive and kicking strongly. However, it must
be said that CCDs greatly improve the chances of securing a good image with
an average amateur instrument and mediocre seeing conditions. The amateur is
now able to produce results that rival the best of those using film-based technology
with much less effort and more chance of success. What, then, is
the purpose of a book largely devoted to a process that is more difficult and
time-consuming, but which achieves similar results? The photographic emulsion
may eventually be totally superseded by CCD technology, but the
instrumentation, ancillary equipment and methods by which an image is secured
on the detector surface, as described in this book, will remain essentially
unchanged. Jean Dragesco
has a world-wide reputation as a leading lunar, planetary and solar
photographer, and is well respected by the professional community. He has
used the great refractors at Meudon and Lowell observatories to obtain
planetary photographs that have been described as some of the best
Earth-based photographs ever taken. The main
chapter topics are: the effects and control of atmospheric and instrumental
turbulence; the merits of various telescope optical designs and mountings;
photography at the telescope; methods of enlargement, exposure times, filters
and photographic emulsions; film and print processing; photographing the Sun
in white light and H-alpha; the Moon, measurement of resolution obtained; and
high-resolution planetary photographs in black-and-white and colour. The book
contains a wealth of information obtained from the experience of the author
and several other top exponents of the subject, such as Donald Parker, Isao
Miyazaki, Georges Viscardy, and our own Terry Platt. One chapter I
particularly liked contained short biographies and photographs of past,
present and possible future leading high-resolution specialists, giving the
reader an insight into the human aspect of the observer. High-Resolution
Astrophotography is very hard to criticise, so I
shall not attempt to do so. Personally, I should have liked to see more on
reducing tube currents by total tube enclosure and fans as recommended by
Texereau, light baffling for Newtonians, and more on reducing vibration. Richard
McKim’s translation from Jean Dragesco’s original script is excellent,
and so is the style, unlike much of the recent spate of American
‘astronomy is easy’ books which are written for the lowest common
denominator. This is a book that is suitable for observers of all levels. The
photographic reproductions are numerous and of excellent quality, making the
observer reassess his/her observations and be inspired to improve the
results. There can be little doubt that High Resolution Astrophotography
will become the standard work for amateurs, and perhaps a later edition will
contain more information on CCDs, and especially image processing of Solar
System objects. I
was very impressed with this book, and can thoroughly recommend it to all
those interested in the subject. |